My work is inspired by the sense of discovery and imagination expressed in images from early experiments in flight, circus arts, and the works of Alexander Calder. I aim to capture a sense of playful optimism that teeters somewhat magically on the fragile balance of our shaking, shifting planet.

Dancing at the Edge of the Known, was included in a collaborative performance with musicians, poets, and visual artists exploring the formal structure of the sonata. The collaboration culminated in an event called Formal Inquiry: The Sonata Undressed held at Velocity Dance Center in Seattle.